![]() ![]() I attempt to make routines that set up for a perfect finish. ![]() But then, that situation requires a different style. ![]() Some of this stuff is not for table hopping or bar work. It just doesn't make sense to dump a big coin on the table and have them say, "Boy, I didn't see that mud on the birthday cake comming." When I perform Cross Cards, the audience responds as if hearing a wonderful piece of music or watching a beautiful ballet. It would be a crime to cheat them out of that moment. When I perform it the audience sits there in disbeilief. My goal is to start strong and end stronger. Most coin across routines suffer from this. Theater magic gets them to react verbally but they can pass off the event and say, "He is quick with his hands." That is, often the climax marks the end of a trick but is not as strong as the first phase of the routine. But they are so stunned, they can't speak. The point here is that solid virtual magic hammers the audience. Then look at the principles involved with virtual magic. Some magicians have attempted to add climaxes to them.Īlso I did not read it in any rules of how to perform magic that says there should be a climax.Īnd who would be briliant enough to write such a book. Many classics of magic do not, historicaly, have climaxes. Unfortunately I have been hit on this forum with a lot of people that just want to tear me down. There are many things I would like to say about this. ![]()
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